The Rashtrakutas were a royal Indian dynasty ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language.
The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Gurjaratra were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. (Full article...)
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Sorabji in 1917
Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion.
Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)
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Mother India is a 1957 Indian epicdrama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles.
The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema. (Full article...)
Bose conceived the idea for the film in January 2011 during a conversation with Malini Chib, her cousin and a disability rights activist, about the latter's desire to have a normal sex life. Inspired by Chib's story, Bose wrote the first draft of the film's script. After winning a Sundance Mahindra Global Filmmaker Award for the draft, she modified the script to reflect her own perspective, incorporating several personal experiences into the narrative. Bose completed the screenplay with co-writer Maniyar and the advisory council of the Sundance Institute. (Full article...)
Temples built prior to Hoysala independence in the mid-12th century reflect significant Western Chalukya influences, while later temples retain some features salient to Western Chalukya architecture but have additional inventive decoration and ornamentation, features unique to Hoysala artisans. Some three hundred temples are known to survive in present-day Karnataka state and many more are mentioned in inscriptions, though only about seventy have been documented. The greatest concentration of these are in the Malnad (hill) districts, the native home of the Hoysala kings. (Full article...)
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Jinnah in 1945
Muhammad Ali Jinnah (born Mahomedali Jinnahbhai; 25 December 1876 – 11 September 1948) was a barrister, politician, and the founder of Pakistan. Jinnah served as the leader of the All-India Muslim League from 1913 until the inception of Pakistan on 14 August 1947 and then as Pakistan's first governor-general until his death.
Greatest extent of the Chalukya Empire, 636 AD, 740 AD
The Chalukya dynasty ([tʃaːɭukjə]) was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12th century.
The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas. A Southern India-based kingdom took control and consolidated the entire region between the Kaveri and the Narmada rivers. The rise of this empire saw the birth of efficient administration, overseas trade and commerce and the development of new style of architecture called "Chalukyan architecture". Kannada literature, which had enjoyed royal support in the 9th century Rashtrakuta court found eager patronage from the Western Chalukyas in the Jain and Veerashaiva traditions. The 11th century saw the patronage of Telugu literature under the Eastern Chalukyas. (Full article...)
At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the MuslimNawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)
Development began during the early 1940s when, after two successive box-office hits, Vasan announced that his next film would be entitled Chandralekha. However, when he launched an advertising campaign for the film he only had the name of the heroine from a storyline he had rejected. Veppathur Kittoo (one of Vasan's storyboard artists) developed a story based on a chapter of George W. M. Reynolds' novel, Robert Macaire: or, The French bandit in England. Original director T. G. Raghavachari left the film more than halfway through because of disagreements with Vasan, who took over in his directorial debut. (Full article...)
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Kapadia in 2018
Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses.
While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)
Made on a shoestring budget of ₹80 million (US$960,000), Kahaani was conceived and developed by Ghosh, who co-wrote the film with Advaita Kala. The crew often employed guerrilla-filmmaking techniques on Kolkata's city streets to avoid attracting attention. Its creative portrayal of the city and its use of local crew and cast members made it a notable film. Kahaani explores themes of feminism and motherhood in a male-dominated Indian society. The film also makes several allusions to Satyajit Ray's films, such as Charulata (1964), Aranyer Din Ratri (1970), and Joi Baba Felunath (1979). The film's musical score and soundtrack are composed by Clinton Cerejo and Vishal–Shekhar respectively, with cinematography handled by Setu and editing done by Namrata Rao. (Full article...)
The film was produced by Kumar and Ramesh Taurani's Tips Industries on a budget of ₹200–250 million (about US$4.2–5.2 million in 2002). The story and dialogue were written by Santoshi and Piyush Mishra respectively, while Anjum Rajabali drafted the screenplay. K. V. Anand, V. N. Mayekar and Nitin Chandrakant Desai were in charge of the cinematography, editing and production design respectively. Principal photography took place in Agra, Manali, Mumbai and Pune from January to May 2002. The soundtrack and film score were composed by A. R. Rahman, with the songs "Mera Rang De Basanti" and "Sarfaroshi Ki Tamanna" being well received in particular. (Full article...)
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Keechaka Vadham (transl. The Extermination of Keechaka) is an Indiansilent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film.
The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epicMahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
Katrina Kaif (pronounced[kəˈʈriːnakɛːf]; born Katrina Turquotte, 16 July 1983) is a British actress who works in Hindi-language films. One of the highest-paid actresses in India, she has received accolades, including four Screen Awards and four Zee Cine Awards, in addition to three Filmfare nominations. Though reception to her acting has varied, she is noted for her action film roles and her dancing ability.
Born in British Hong Kong, Kaif lived in several countries before she moved to London for three years. She received her first modelling assignment as a teenager and later pursued a career as a fashion model. At a fashion show in London, Indian filmmaker Kaizad Gustad cast her in Boom (2003), a critical and commercial failure. While Kaif established a successful modelling career in India, she initially had difficulty finding film roles due to her poor command of Hindi. After appearing in the Telugu film Malliswari (2004), Kaif earned commercial success in Bollywood with the romantic comedies Maine Pyaar Kyun Kiya? (2005) and Namastey London (2007). Further success followed with a series of box-office hits, but she was criticised for her acting, repetitive roles, and inclination to male-dominated films. (Full article...)
Iravan also known as Iravat and Iravant, is a minor character from the HinduepicMahabharata. The son of Pandava prince Arjuna (one of the main heroes of the Mahabharata) and the Naga princess Ulupi, Iravan is the central deity of the cult of Kuttantavar (Kuttandavar) which is also the name commonly given to him in that tradition—and plays a major role in the sect of Draupadi. Both these sects are of Tamil origin, from a region of the country where he is worshipped as a village deity and is known as Aravan. He is also a patron god of well-known transgender communities called Alis (also Aravani in Tamil, and Hijra throughout South Asia).
The Mahabharata portrays Iravan as dying a heroic death on the 8th day of the 18-day Kurukshetra War (Mahabharata war), the epic's main subject. However, the South Indian traditions have a supplementary practice of honouring Aravan's self-sacrifice to the goddess Kali to ensure her favour and the victory of the Pandavas in the war. The Kuttantavar tradition focuses on one of the three boons granted to Aravan by the god Krishna in honour of this self-sacrifice. Aravan requested that he be married before his death. Krishna satisfied this boon in his female form, Mohini. In Koovagam, Tamil Nadu, this incident is re-enacted in an 18-day festival, first by a ceremonial marriage of Aravan to Alis (hijra) and male villagers (who have taken vows to Aravan) and then by their widowhood after ritual re-enactment of Aravan's sacrifice. (Full article...)
Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monasticVaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
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Roshan in 2016
Hrithik Roshan (pronounced[ɾɪt̪ɪkɾoʃən]; born 10 January 1974) is an Indian actor who works in Hindi cinema. He has portrayed a variety of characters and is known for his dancing skills. One of the highest-paid actors in India, he has won many awards, including six Filmfare Awards, of which four were for Best Actor. Starting from 2012, he has appeared in Forbes India'sCelebrity 100 several times based on his income and popularity.
Roshan has frequently collaborated with his father, Rakesh Roshan. He made brief appearances as a child actor in several films in the 1980s and later worked as an assistant director on four of his father's films. His first leading role was in the box-office success Kaho Naa... Pyaar Hai (2000), for which he received several awards. Performances in the 2000 terrorism drama Fiza and the 2001 ensemble family drama Kabhi Khushi Kabhie Gham... consolidated his reputation but were followed by several poorly received films. (Full article...)
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Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love".
Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1million. (Full article...)
The film's narrative is in the form of a bedtime story told by a father to his daughter. Its protagonist, Nani, who is in love with his neighbour Bindu, is murdered by a wealthy industrialist named Sudeep, who is attracted to Bindu and considers Nani a rival. Nani reincarnates as a housefly and tries to avenge his death and protect Bindu from an obsessive Sudeep. (Full article...)
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Koechlin in 2017
Kalki Koechlin (/ˈkʌlkikɛˈklæ̃/ⓘ; born 10 January 1984) is a French actress and writer who works in films and stage. Known for her unconventional body of work, particularly in Hindi films, she is the recipient of several accolades, including a National Film Award and a Filmfare Award. Although a French citizen, she has been raised and lived most of her life in India.
The Indian roller (Coracias benghalensis) is a bird of the family Coraciidae. It is 30–34 cm (12–13 in) long with a wingspan of 65–74 cm (26–29 in) and weighs 166–176 g (5.9–6.2 oz). The face and throat are pinkish, the head and back are brown, with blue on the rump and contrasting light and dark blue on the wings and tail. The bright blue markings on the wing are prominent in flight. The sexes are similar in appearance. Two subspecies are recognised.
The Indian roller occurs widely from West Asia to the Indian subcontinent. Often found perched on roadside trees and wires, it is common in open grassland and scrub forest habitats, and has adapted well to human-modified landscapes. It mainly feeds on insects, especially beetles. The species is best known for the aerobatic displays of males during the breeding season. Adult males and females form pair bonds and raise the young together. The female lays 3–5 eggs in a cavity or crevice, which is lined with a thin mat of straw or feathers. The roller is the state bird of three Indian states. It is listed as a species of least concern on the IUCN Red List. (Full article...)
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Gay at peak intensity before making landfall on India, on 8 November
Typhoon Gay, also known as the Kavali Cyclone of 1989, was a small but powerful tropical cyclone which caused more than 800 fatalities in and around the Gulf of Thailand in November 1989. The worst typhoon to affect the Malay Peninsula in thirty-five years, Gay originated from a monsoon trough over the Gulf of Thailand in early November. Owing to favorable atmospheric conditions, the storm rapidly intensified, attaining winds over 120 km/h (75 mph) by 3 November. Later that day, Gay became the first typhoon since 1891 to make landfall in Thailand, striking Chumphon Province with winds of 185 km/h (115 mph). The small storm emerged into the Bay of Bengal and gradually reorganized over the following days as it approached southeastern India. On 8 November, Gay attained its peak intensity as a Category 5-equivalent cyclone with winds of 260 km/h (160 mph). The cyclone then moved ashore near Kavali, Andhra Pradesh. Rapid weakening ensued inland, and Gay dissipated over Maharashtra early on 10 November.
The typhoon's rapid development took hundreds of vessels by surprise, leading to 275 offshore fatalities. Of these, 91 occurred after an oil drilling ship, the Seacrest, capsized amid 6–11 m (20–36 ft) swells. Across the Malay Peninsula, 588 people died from various storm-related incidents. Several towns in coastal Chumphon were destroyed. Losses throughout Thailand totaled ฿11 billion (US $497 million). Striking India as a powerful cyclone, Gay damaged or destroyed about 20,000 homes in Andhra Pradesh, leaving 100,000 people homeless. In that country, 69 deaths and ₹410 million (US $25.3 million) in damage were attributed to Gay. (Full article...)
The mosque at the Taj Mahal complex in Agra, India. This red sandstone building, on the western side of the complex, faces the west side of the mausoleum. In the forefront is a howz, meant for ablution. On the eastern side of the complex is the jawab ("answer"), a mirror image of the mosque except for the missing mihrab and different floor pattern; this jawab was mainly intended for architectural balance. Both were constructed in 1643.
An Indian palm squirrel (Funambulus palmarum) photographed in Bangalore, India. In India these squirrels are associated with the Hindu deity Rama, an avatar of Vishnu, and as such are not to be harmed. However, in Western Australia they are considered pests and at times targeted for eradication.
A panoramic view of Bangalore from Corporation Circle, with UB City to the left and Richmond area to the right. Kanteerava Indoor Stadium is in the foreground. The third largest city in India, the city is known as the Silicon Valley of India for its numerous IT exports.
Rekha Raju performing Mohiniyattam, a classical dance form from Kerala, India. Believed to have originated in the 16th century CE, this dance form was popularized in the nineteenth century by Swathi Thirunal, the Maharaja of the state of Travancore, and Vadivelu, one of the Thanjavur Quartet. The dance, which has about 40 different movements, involves the swaying of broad hips and the gentle side-to-side movements.
The nilgai or blue bull (Boselaphus tragocamelus) is the largest Asian antelope and is endemic to the Indian subcontinent. The sole member of the genus Boselaphus, the species was described and given its binomial name by German zoologist Peter Simon Pallas in 1766. The nilgai stands 1–1.5 metres (3.3–4.9 ft) at the shoulder; males weigh 109–288 kilograms (240–635 lb), and the lighter females 100–213 kilograms (220–470 lb). A sturdy thin-legged antelope, the nilgai is characterised by a sloping back, a deep neck with a white patch on the throat, a short crest of hair along the neck terminating in a tuft, and white facial spots. A column of pendant coarse hair hangs from the dewlap ridge below the white patch. Sexual dimorphism is prominent – while females and juveniles are orange to tawny, adult males have a bluish-grey coat. Only males possess horns, which are 15–24 centimetres (5.9–9.4 in) in length.
This picture shows a male nilgai in a potato field at Jamtra, in the Indian state of Madhya Pradesh.
A view of the Taj Mahal from the south, featuring the Charbagh garden. The mausoleum complex also includes subsidiary tombs, waterworks infrastructure, the small town of Taj Ganji, and a "moonlight garden". Its origins and architecture have been extensively documented, covering both the circumstances of its commission and the cultural and historical influence of the Islamic Mughal Empire in India.
A statue of the Hindu god Shiva as Nataraja, the Lord of Dance. In this form, Shiva performs his divine dance to destroy a weary universe and make preparations for the god Brahma to start the process of creation. A Telugu and Tamil concept, Shiva was first depicted as Nataraja in the famous Chola bronzes and sculptures of Chidambaram. The form is present in most Shiva temples in South India, and is the main deity in Chidambaram Temple, the foremost Shaivist temple.
The southern plains gray langur (Semnopithecus dussumieri) is a species of Old World monkey native to the Indian subcontinent. It is about 62 cm (24 in) tall and lives in groups in various forest habitats, feeding mainly on leaves, fruit and flowers in the canopy, supplementing these with insects, gum, grasses, herbs and roots. The monkeys are considered sacred in India, and some are used by Hindu priests for religious purposes. They have adapted to living in close proximity to humans in urban settings; they are often fed by humans and accept cakes, millet, and other foods. The species is protected by law in India, but some are still persecuted for damaging crops, hunted for food and captured for pets.
This photograph of a female southern plains gray langur was taken in Kanha Tiger Reserve, in the Indian state of Madhya Pradesh. The park was created on 1 June 1955 and was designated a tiger reserve in 1973.
Leptosia nina, known as the psyche, is a species of butterfly in the family Pieridae (the sulphurs, yellows and whites), found in the Indian subcontinent, southeastern Asia, and Australia. It has a small wingspan of 2.5 to 5 cm (1 to 2 in). The upper side of the otherwise white forewing has a large, somewhat pear-shaped, black spot; this spot is also present on the underside which is scattered with greenish dots and speckles, sometimes arranged in bands. This L. nina butterfly was photographed in Kerala, India.
A map of Network of National Highways in India, including NHDP projects up to phase IIIB, which is due to be completed by December 2012. The National Highways are the main long-distance roadways and constitute a total of about 58,000 km (36,250 mi), of which 4,885 km (3,053 mi) are central-separated expressways. Highways in India are around 2% of the total road network in India, but carry nearly 40% of the total road traffic.
On 9 December 2011, Chhetri netted twice in a match (also known as a brace) in India's 3–1 semi-final win over the Maldives in the 2011 SAFF Championship to take his tally to 31, thus becoming his country's all-time leading goalscorer surpassing the 29 set by I. M. Vijayan. With his 94 international goals, he is currently the third-highest international goalscorer among active players, behind only Cristiano Ronaldo of Portugal and Lionel Messi of Argentina. He is also the highest active goalscorer from Asia. On 21 June 2023, Chhetri scored a hat-trick for India in a 4–0 win over the Pakistan to take his tally to 90 international goals, thus becoming the second-highest international goalscorer from Asia of all time. His tally of 94 puts him the fourth-highest goalscorer in the history of international football. (Full article...)
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Trisha Krishnan in 2022 Trisha Krishnan[a] is an Indian actress who appears primarily in Tamil and Telugu films. She was first seen in 1999 in a minor supporting role in Jodi, then 2000 in the music video of Falguni Pathak's song "Meri Chunar Udd Udd Jaye".
The first project she accepted as a lead actress was Priyadarshan's Lesa Lesa, but a delay in the film's release meant that her first appearance in a lead role was in Ameer's directorial debut Mounam Pesiyadhe in 2002, which was a commercial success.The following year, Trisha appeared as a terminally ill woman in Manasellam, which was a commercial failure. Her next release in 2003 was Hari's action film, Saamy in which she played a soft-spoken Brahmin girl and attracted praise for her performance. The film became a major commercial success, resulting in Trisha receiving new offers, including those from several high-budget productions. Lesa Lesa, which was to have been her debut as a lead actress, was released next. This romantic musical, based on the 1998 Malayalam film Summer in Bethlehem, earned her the ITFA Best New Actress Award. Following Lesa Lesa, she starred in Alai and Enakku 20 Unakku 18 both of which were commercial failures. She made her debut in Telugu cinema in the same year with Tamil-Telugu simultaneously shot movie Enakku 20 Unakku 18 (Nee manasu Naaku Telusu), was also unsuccessful. Trisha's next Telugu release was Varsham in 2004. It was a major success, and won her the Filmfare Best Actress Award (Telugu). It also resulted in her receiving more offers for roles in Telugu films. Later in 2004, Trisha played the role of a damsel in distress where a kabaddi player tries to save from a corrupt politician who wants to marry her in Ghilli. It was a major commercial success. She appeared in Mani Ratnam's political drama Aayutha Ezhuthu (2004), starring as part of an ensemble cast that included Siddharth, R. Madhavan and Suriya. The Telugu romantic comedy Nuvvostanante Nenoddantana (2005) featured Trisha as a village girl and was a commercial success. It earned her another Filmfare Award and her first Nandi Award for Best Actress. She reprised the role in the Tamil remake Unakkum Enakkum (2006) which was also successful. Selvaraghavan's Telugu film Aadavari Matalaku Arthale Verule (2007) won Trisha her third Filmfare Award. The same year she featured opposite Ajith Kumar in A. L. Vijay's Kireedam. In 2008, her releases Bheemaa and Kuruvi both failed commercially, while Abhiyum Naanum and Krishna earned her Filmfare nominations for Best Actress in the Tamil and Telugu categories respectively. Trisha starred in two films released in 2009: Sarvam and Sankham. The former was commercially unsuccessful, while the latter was critically derided. The following year, she played a Kerala Christian girl in Gautham Vasudev Menon's romance Vinnaithaandi Varuvaayaa. It was a major commercial success and, as well as being a breakthrough film in her career, earned her a Filmfare nomination for Best Actress (Tamil). The same year, she made her Hindi cinema debut with Khatta Meetha. Although a critical and commercial failure, it earned her nomination for a Filmfare Award for Best Female Debut. Her sole Telugu release that year was Namo Venkatesa. Both her 2011 releases – Teen Maar and Mankatha – were successful. She had two releases in 2012: Bodyguard (a Telugu remake of the 2010 Malayalam film of the same name) and Dammu. (Full article...)
Dravid scored his first Test century in January 1997 against South Africa. In a man-of-the-match performance, he made 148 runs spanning nine hours and took India to their only draw of the series. He made centuries in both innings of a match when he scored 190 and 103 not out in the final Test of the 1998–99 series against New Zealand. He repeated the feat in March 2005 when he scored 110 and 135 against Pakistan in another man-of-the-match performance, leading India to victory in the second of the three-match series. Scoring 180 in a fifth-wicket partnership of 376 with VVS Laxman, in the Second Test of the Border-Gavaskar Trophy in 2001, Dravid helped lead India to victory by 171 runs despite being asked to follow-on by the Australians. His partnership with Laxman was the third-highest for the fifth wicket in Test cricket history. Dravid's highest Test score of 270, achieved in April 2004 in Rawalpindi, helped India to an innings victory against Pakistan. The performance was the fourth-highest score by an Indian batsman in Test cricket. He scored centuries against all Test playing nations and was the first cricketer to score centuries in all 10 Test playing nations. (Full article...)
The Government of Kerala created the award to commemorate the contribution of Indian filmmaker J. C. Daniel, who is often regarded as the "father of Malayalam cinema". The J. C. Daniel Award was managed by the Department of Cultural Affairs until 1997. In 1998, the Government of Kerala constituted the Kerala State Chalachitra Academy, and since that year, the Academy has hosted the award. A cash prize of ₹50,000 (US$600) was granted with the award until 2002. In 2003, the prize money was doubled and, as part of a technical correction to update it, no award was presented that year. Actor Madhu was the first recipient of the award with the increased monetary prize of ₹100,000 (US$1,200) in 2004. Since 2016, the cash prize is ₹500,000 (US$6,000). (Full article...)
Throughout the years, accounting for ties and repeat winners, the government has presented 54 Best Actor awards to 35 actors. The recipients receive a figurine, a certificate, and a cash prize of ₹100,000 (US$1,200). Several actors have won the honour for more than one film in a given year. As of 2020, the only actor to have won the prize in consecutive years is Bharat Gopy, in 1982 and 1983. (Full article...)
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Yash Chopra, the founder of Yash Raj Films, pictured in 2012. He directed 13 films for the company between 1973 and 2012. Yash Raj Films (abbreviated as YRF) is an Indianentertainment company, established by filmmaker Yash Chopra in 1970, that produces and distributes motion pictures. As of 2022, the company has produced over 80 Hindi films and one Tamil film. YRF started a film distribution business in 1997; in addition to distributing their own productions, the company has handled the domestic and/or international distribution of over 50 films from other companies. The most frequent collaborations of the company have been with the actors Rani Mukerji, Rishi Kapoor, Shah Rukh Khan, Anushka Sharma, Katrina Kaif, and Saif Ali Khan.
YRF's first release came in 1973 with the Chopra-directed Daag, a drama about bigamy, starring Rajesh Khanna, Raakhee and Sharmila Tagore. The company had four more releases in the 1970s, including the ensemble romantic drama Kabhi Kabhie and the action film Kaala Patthar, both of which starred Amitabh Bachchan and Raakhee. YRF's sole commercial success in the 1980s was the Sridevi-starring romantic musical Chandni. The year 1995 marked the directorial debut of Chopra's elder son Aditya Chopra with the highly successful romantic drama Dilwale Dulhania Le Jayenge. Starring Shahrukh Khan and Kajol, the film has the longest theatrical run in Indian cinema history. Other successful releases of the 1990s were Darr (1993) and Dil To Pagal Hai (1997), both starring Khan. (Full article...)
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Matondkar in 2010 Urmila Matondkar is an Indian actress known for her work in Hindi films. She has appeared in over 60 films. She has been praised by the critics for her acting and dancing skills. She made her screen debut as a child artist in B.R. Chopra's Karm (1977), and later appeared in Shekhar Kapur's critically acclaimed Masoom (1983). After making her debut as the heroine in 1989 Malayalam thriller Chanakyan, Urmila began a full-time acting career, with a leading role in the 1991 action Narsimha. She rose to prominence with Ram Gopal Varma's blockbusterRangeela (1995). Her portrayal of an aspiring actress, Mili Joshi, opposite Aamir Khan received praise from critics, and garnered her first nomination for the Filmfare Award for Best Actress.
Shetty at the trailer launch of Baahubali: The Beginning (2015) Anushka Shetty is an Indian actress who appears in Telugu and Tamil films.She is often considered one of the greatest, most influential actress in the history of Telugu Cinema . With a cinematic career spanning over two decades, she has played pivotal roles in over 50 films. She is often hailed as the "Lady Superstar" of South Indian Cinema. She made her acting debut in Puri Jagannadh's 2005 Telugu film Super, and appeared in Mahanandi, released later the same year. The following year, she had four releases, the first being S. S. Rajamouli's Vikramarkudu, which helped her gain recognition, followed by Astram (a remake of the 1999 Hindi film Sarfarosh), the Sundar C-directed Rendu, (which marked her debut in Tamil cinema), and a special appearance in AR Murugadoss' Telugu film Stalin. She had two releases in 2007: Lakshyam and Don. In 2008, she appeared in six films, including Okka Magaadu, Swagatam and Souryam. In 2009, Shetty played two roles in the fantasy Arundhati. She went on to win the Nandi Special Jury Award and the Filmfare Best Telugu Actress Award for this film. Her next release that year was Billa, a Telugu remake of the 2007 Tamil film of the same name. Her final release in 2009 was her second Tamil feature film, the masala film Vettaikaaran, where she appeared as a medical student. Shetty had a string of releases in 2010. She portrayed a prostitute in Krish's Vedam, which won her the Filmfare Award for Best Telugu Actress. Despite critical acclaim, the film failed at the box office. None of her other releases in 2010 succeeded commercially, except for her sole Tamil release of the year, the masala Singam. The following year, Anushka had two releases, both in Tamil. She reprised her Vedam role in its remake Vaanam, then appeared as an advocate in the A. L. Vijay-directed Deiva Thirumagal, a loose adaptation of the American film I Am Sam (2001). The following year, she also had two releases: Thaandavam in Tamil, and Damarukam in Telugu. Her first release in 2013 was Suraj's Tamil masala Alex Pandian, a critical and commercial failure. This was followed by Mirchi in Telugu, Singam II (where she reprised her role from Singam), and Selvaraghavan's Tamil romantic fantasyIrandaam Ulagam where she played three distinct roles. Her sole release of 2014 was K. S. Ravikumar's Lingaa. (Full article...)
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Kumar Sangakkara was the captain of the Deccan Chargers during their last season.
The Hyderabad Deccan Chargers (often abbreviated as DC) was a franchise cricket team based in Hyderabad, Telangana, that competed in the Indian Premier League (IPL) from 2008 to 2012. The team was owned by Deccan Chronicle Holdings Limited who won the bid for the Hyderabad franchise at US$107 million. VVS Laxman and Robin Singh were appointed as the captain and the coach for their first season in 2008. After finishing last in that season, the DC sacked their coach and removed their captain and replaced them with Darren Lehmann and Adam Gilchrist under whom they won their only IPL title in 2009, when they defeated the Royal Challengers Bangalore by six runs in the final. They reached the semi-finals again in 2010 but failed to reach past the group stages before the team was folded in 2012. They qualified for the Champions League Twenty20 only once, for the 2009 season, but failed to advance past the group stage. Lehmann remained as the coach for the DC but they were forced to replace Gilchrist with Kumar Sangakkara in 2011 after they lost former to the Kings XI Punjab in the 2011 auction. Sangakkara remained as the captain until the middle of the 2012 season before he was replaced by Cameron White following the poor performances. Sangakkara later returned as captain as the move did not yield the desired results for the Deccan Chargers.
On 15 September 2012, the Deccan Chargers' IPL contract was terminated by the Board of Control for Cricket in India (BCCI), which was concerned about overdue payments to the players. The Hyderabad franchise was later acquired by the Sun TV Network for ₹85.05 crore (US$10 million) per year in a bid which also retained 20 players. (Full article...)
A contemporary adaptation of the Indian folktale Baital Pachisi, the film follows Vikram, a police inspector who is decisive about good and evil, and the head of an encounter unit which is formed to track down and kill Vedha, a gangster. When the unit makes plans for another encounter, Vedha walks into the police station and voluntarily surrenders himself. He then tells Vikram three stories which bring about a change in the latter's perceptions of right and wrong. (Full article...)
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Bhatt at an event for RRR in 2021 Alia Bhatt is a British actress of Indian descent who predominantly works in Hindi films. As a child, she played a minor role in her father Mahesh Bhatt's production Sangharsh (1999), as the younger version of star Preity Zinta's character. In 2012, Bhatt had her first lead role in Karan Johar's teen film Student of the Year, but her performance in it was not well received. Two years later, she gained praise for playing a kidnapping victim in the drama Highway (2014), winning the Filmfare Critics Award for Best Actress. In the same year, her starring roles in the commercially successful romances 2 States and Humpty Sharma Ki Dulhania, both produced under Johar's studio Dharma Productions, established her as a leading actress. She also sang the single "Samjhawan Unplugged" for the latter film's soundtrack.
In Bhatt's three film releases of 2016—Kapoor & Sons, Dear Zindagi, and Udta Punjab—she played young women in troubling circumstances. Her performance in the last of these won her the Filmfare Award for Best Actress. Following another romantic role in Badrinath Ki Dulhania (2017), she played a spy in the thriller Raazi (2018) and a volatile girlfriend in the musical drama Gully Boy (2019). She won two more Best Actress awards at Filmfare for the latter two. This was followed by two poorly received films, Kalank (2019) and Sadak 2 (2020). Bhatt gained further success in 2022 with a brief role in the Telugu period film RRR, and starring roles in the fantasy film Brahmāstra: Part One – Shiva and biopic Gangubai Kathiawadi, in which she starred as the titular prostitute; all three rank among the highest-grossing Indian films of the year. She won the National Film Award for Best Actress and her fourth Best Actress award at Filmfare for the last of these. She also produced and starred in the Netflix black comedy Darlings under her company Eternal Sunshine Productions, for which she received a Filmfare OTT Award. (Full article...)
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Kapadia at the Pichvai Exhibition in New Delhi, 2018 Dimple Kapadia is an Indian actress who predominantly appears in Hindi films. She was discovered by Raj Kapoor at age 14, who gave her the title role in his teen romance Bobby (1973), opposite his son Rishi Kapoor. The film became a massive commercial success and made her an overnight star. Her role as a Christian teenager from Goa established her as a youth fashion icon and won her the Filmfare Award for Best Actress. Kapadia retired from acting following her marriage to Indian actor Rajesh Khanna earlier in 1973, and returned to the film industry in 1984, after her separation from Khanna. The release of her comeback film, Saagar, was delayed, with Zakhmi Sher becoming the second film of her career. Released in 1985, Saagar earned her a second Best Actress award at Filmfare, and she went on to establish herself as one of the leading actresses of Hindi cinema in the 1980s and early 1990s. The early roles she played following her return included the Hitchcockian thriller Aitbaar (1985), for which she received positive reviews, and the commercially successful action films Arjun (1985) and Janbaaz (1986). During this period, she acted in several films in South India, which she admitted to having made for financial gain and dismissed their quality.
Many of Kapadia's early roles relied on her perceived beauty, and she would struggle to be taken seriously as an actress. She made a decision to accept more serious roles, and won acclaim for her role in the marital drama Kaash (1987). Financial success came with films like Insaniyat Ke Dushman (1987), Insaaf (1987), in which she played double roles; the controversial revenge saga Zakhmi Aurat (1988), in which she played an avenging rape victim; and Ram Lakhan (1989). She started the next decade by venturing into neorealist art films, known in India as parallel cinema, including Drishti (1990), Lekin... (1990), and Rudaali (1993). All these films won her critical praise, and her role as a professional mourner in the latter earned her a National Film Award for Best Actress and a Filmfare Critics Award for Best Actress. She further essayed character parts in Prahaar (1991), Angaar (1992), Gardish (1993), and Krantiveer (1994), which garnered her a fourth Filmfare Award, in the Best Supporting Actress category. (Full article...)
In cricket, a five-wicket haul (also known as a "five–for" or "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement, as of October 2024[update] only 54 bowlers have taken 15 or more five-wicket hauls at international level in their cricketing careers. Anil Kumble is a former Test and One Day International (ODI) cricketer who represented India. He is a right-arm leg spin (legbreakgoogly) bowler. Kumble has taken 619 wickets in Test cricket and 337 wickets in ODI cricket. With 37 five-wicket hauls, Kumble has the highest number of Test and combined international five-wicket hauls among Indian cricketers and fourth highest among all players, after Muttiah Muralitharan, Richard Hadlee, and Shane Warne.
Kumble made his ODI debut against Sri Lanka and his Test debut against England, both in 1990. His first five-wicket haul was against South Africa at Johannesburg (November, 1992) in the second Test of India's tour. He has claimed the most of his five-wicket hauls against Australia, ten of them, all in Test matches. His best performance was against Pakistan at the Feroz Shah Kotla in 1999; Kumble took all ten wickets during the second innings, just the second person to do so, after Jim Laker, and in the process ensured India of their first Test victory against Pakistan in twenty years. The feat also ranks as the second best bowling figures in Test history. Twenty of Kumble's Test cricket five-wicket hauls have come in victory for India, while five have been in defeats. Kumble has also taken two five-wicket hauls in ODIs. His first ODI five-wicket haul was against the West Indies during the final of the 1993 Hero Cup at Eden Gardens, Calcutta when he took six wickets for twelve runs, a record for India in One Day Internationals. The performance ensured India's victory and Kumble was adjudged man of the match. His other ODI five-wicket haul was against New Zealand at the Basin Reserve in 1994. (Full article...)
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Bachchan in 2013 Abhishek Bachchan is an Indian actor and film producer known for his work in Hindi films. He made his acting debut opposite Kareena Kapoor in J. P. Dutta's war drama Refugee (2000), where his portrayal of the titular unnamed refugee earned a nomination for the Filmfare Best Male Debut Award. However, the film was a box office debacle alike his subsequent films, including Bas Itna Sa Khwaab Hai (2001), and Shararat (2002). His career prospects improved in 2004, when he played a gangster in Mani Ratnam's political drama Yuva and a police officer in Sanjay Gadhvi's action thriller Dhoom. The former won him his first Filmfare Award for Best Supporting Actor, and the latter became one of the highest-grossing films of the year and his first commercial success.
In 2005, Bachchan teamed up with his father twice in Ram Gopal Varma's thriller Sarkar and the crime comedy Bunty Aur Babli. The latter was the second highest-grossing film of the year, and his performance in Sarkar earned him a second Filmfare Award for Best Supporting Actor. That same year, he appeared in the Bengali film Antarmahal (2005). 2006 proved to be key for Bachchan, as he received his third consecutive Filmfare Best Supporting Actor Award for his performance in Karan Johar's musical romance Kabhi Alvida Naa Kehna (2006), and reprised his role in the action sequel Dhoom 2 (2006), which became the highest grossing Bollywood film to that point. Bachchan next starred alongside Aishwarya Rai in Ratnam's critically and commercially successful drama Guru (2007), a biopic inspired by the life of businessman Dhirubhai Ambani. His title role in the film was positively received. (Full article...)
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Studio publicity photograph of Bachchan in 2009
Amitabh Bachchan is an Indian actor, playback singer, film producer, television host and former politician who primarily works in Hindi films. He made his acting debut in 1969 with Saat Hindustani, and narrated Mrinal Sen's Bhuvan Shome (1969). He later appeared as Dr. Bhaskar Banerjee in Hrishikesh Mukherjee's Anand (1971), for which he won the Filmfare Award for Best Supporting Actor. In 1973, Bachchan played his breakthrough role of Inspector Vijay Khanna in Prakash Mehra's action film Zanjeer. He has since appeared in several films with the character name "Vijay". During the same year, he appeared in Abhimaan and Namak Haraam. For the latter, he received the Filmfare Award for Best Supporting Actor. He starred along with Shashi Kapoor in Yash Chopra's Deewaar, which earned him widespread critical acclaim and popularity, made him won Filmfare Award for Best Actor nomination. He was cited as the "angry young man" for his roles in Deewaar and Zanjeer. Later he starred in Ramesh Sippy's Sholay (1975), which is considered to be one of the greatest Indian films of all time. After appearing in the romantic drama Kabhie Kabhie (1976), Bachchan starred in Manmohan Desai's highest grosser action-comedy Amar Akbar Anthony (1977). He again won the Filmfare Award for Best Actor for his performance in the latter. He then played dual roles of Don and Vijay in Don (1978), which again earned him the Filmfare Best Actor Award for the consecutive year. All of them were huge blockbusters.
Bachchan's stardom continued to roar in the early 1980s, and his critically and commercially successful ventures in this period include Dostana (1980), Shaan (1980), Ram Balram (1980), Naseeb (1981), Lawaaris (1981), Kaalia (1981), Yaarana (1981), Satte Pe Satta (1982), Namak Halaal (1982), Khud-Daar (1982), Andha Kanoon (1983) and Coolie (1983). His performances in these films in Dostana and Shakti earned him the nominations for the Filmfare Award for Best Actor. He suffered a near-fatal injury while shooting for Coolie. His workload decreased for the upcoming four years (1984–1987), but he found critical and commercial success in Sharaabi (1984), Geraftaar (1985) and Mard (1985). He returned to the screen with the box-office success Shahenshah (1988). A year later, Bachchan played the role of gangster Vijay Deenanath Chauhan in Mukul S. Anand's Agneepath (1990) earned him the National Film Award for Best Actor and later starred in Hum (1991), which was a commercial success. Despite being a box-office failure, the former garnered him the National Film Award for Best Actor and has since developed a cult status. He also earned the Filmfare Award for Best Actor for Hum, following which he took another break from acting. He then played Badshah Khan in Anand's 1992 drama Khuda Gawah, for which he received a civilian award from the President of Afghanistan. Khuda Gawah, released on 8 May 1992, was also a critical and commercial success, and Bachchan's performance was well received both domestically and internationally. In 1996, he started his film production company Amitabh Bachchan Corporation whose first release Tere Mere Sapne (1996) was a box-office hit. Amitabh Bachchan is also known as the "Shahenshah" or "Big B" of Bollywood. (Full article...)
The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26January) and registered in The Gazette of India, a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The names of recipients whose awards have been revoked or restored, both of which require the authority of the President, are archived, and recipients who are struck from the register are required to surrender their medals; none of the conferments of Padma Bhushan during 1990–1999 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals.
When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)
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Khan in 2015 Irrfan Khan (7 January 1967– 29 April 2020) was an Indian actor who worked in Indian and British-American films. His on-screen debut was a minor role in Mira Nair's Salaam Bombay! in 1988. He followed this with appearances in a variety of television shows in the late 1980s to 1990s including playing ʽAbd al-Qadir Badayuni in Bharat Ek Khoj (1988), Makhdoom Mohiuddin in Kahkashan (1991), Vladimir Lenin in Lal Ghas Per Neele Ghodey (1992), a dual role in Chandrakanta (1994), and Valmiki in Jai Hanuman (1997). Khan found his television work unfulfilling and considered quitting acting.
In cricket, a five-wicket haul (also known as a "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement, and as of October 2024[update], only 54 bowlers have taken 15 or more five-wicket hauls at international level in their cricketing careers. A right-arm off break bowler, Harbhajan Singh has taken 417 wickets in Test, 269 wickets in One Day International (ODI) and 25 wickets in Twenty20 International (T20I) matches for India. He has the second-highest number of five-wicket hauls (28) in international cricket—next to Anil Kumble—among Indian cricketers and the eleventh among overall.
Harbhajan made his Test debut against Australia in 1998. His first five-wicket haul came against the same team during the second Test of the 2000–01 series at Eden Gardens. His six wickets for 73 runs in the second innings of the match raised his tally to thirteen wickets in the match; his performance was instrumental in India winning the match after being forced to follow-on. In the third Test of the series, he claimed fifteen wickets for 217 runs, including career-best figures of eight wickets for 84 runs. The majority of his five-wicket hauls in Test cricket—seven out of his twenty-five—have come against Australia. (Full article...)
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Chandrasekhar's six wickets for 38 runs at the Kennington Oval was influential in setting up India's first ever series victory in England. B. S. Chandrasekhar is a former international cricketer who represented the Indian cricket team between 1964 and 1979. In cricket, a five-wicket haul refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement, and as of October 2024[update], only 54 bowlers have taken 15 or more five-wicket hauls at international level in their cricketing careers. Chandrasekhar played as a leg spin bowler who formed a part of the Indian spin quartet. Described by West Indies cricketer Viv Richards as the "most difficult" bowler, Chandrasekhar took 16 five-wicket hauls during his international career. He developed an interest in the game when he was a child, watching the playing styles of Australian leg spinner Richie Benaud. Chandrasekhar was affected by polio at the age of five which weakened his right arm. He started as a left-arm bowler but gradually shifted to his withered right arm as it could offer more spin.
Chandrasekhar made his Test debut in 1964 against England at the Brabourne Stadium, claiming four wickets for 67 runs in the first innings. His first five-wicket haul came against West Indies two years later at the same venue. Chandrasekhar's bowling figures of six wickets for 38 runs in 1971 were instrumental in setting up India's first victory in England. It was noted as the Indian "Bowling Performance of the Century" by Wisden in 2002. His bowling performances in the previous English season led to him being named one of the five Wisden Cricketers of the Year in 1972. His career-best figures for an innings were eight wickets for 79 runs against England at the Feroz Shah Kotla Ground in December 1972. Chandrasekhar took a pair of five-wicket hauls for the only time in his career when he took 12 wickets for 104 runs against Australia at the Melbourne Cricket Ground; the performance was effective in ensuring India's first victory in Australia. In Tests, he was most successful against England taking eight fifers. (Full article...)
In 1947, when India gained independence, the state of West Bengal was formed, with 14 districts, as per partition plan of the then Bengal province of British India. The former princely state Koch Bihar joined as a district on 26 January 1950, and the former French enclaveChandannagore joined as part of the Hooghly district in 1954. The States Reorganisation Act of 1956 led to addition of Purulia district to the state and to enlargement of West Dinajpur district. Later, larger districts such as West Dinajpur, 24 Parganas and Midnapore were bifurcated. (Full article...)
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Virat Kohli is the leading century maker, with eight centuries to his name.
In cricket, a batter reaches a century when he scores 100 runs or more in a single innings. A century is regarded as a landmark score for a batter, and his number of centuries is generally recorded in his career statistics. The Indian Premier League (IPL) is a professional league for Twenty20 cricket in India, which has been held annually since its first edition in 2008. Till date, 101 centuries have been scored by 53 different batsmen, out of which 27 are Indian players and 26 are overseas players. Players from 12 of the 15 franchises have scored centuries, with the three franchises that have not had a player score a century for them being Pune Warriors India, Kochi Tuskers Kerala and Gujarat Lions. (Full article...)
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Green Park Stadium hosting the 3rd ODI between India and New Zealand. The Green Park Stadium—formerly known as Modi Stadium—is a cricket ground in Kanpur, India. It is the home ground of the Uttar Pradesh cricket team and has played host to Ranji Trophy matches, as well as being a Test and One Day International (ODI) venue. The ground has hosted 23 Test matches, since the first one in 1952 when India played England. It has also staged 15 ODIs, the first of which was in 1986 when India lost to Sri Lanka by a margin of 17 runs. It has staged 1 T20 International in 2017.
The first century at the ground was scored by the West IndianGarfield Sobers. He made 198 during the second Test of the 1958–59 West Indies tour of India. The first Indian to score a century at the ground was Polly Umrigar, who made 147 not out against England in December 1961. West Indian Faoud Bacchus' 250, against India in February 1979, is the highest individual score by a batsman at the ground. India's Gundappa Viswanath and Mohammed Azharuddin have scored the most centuries at the venue with three each. The latter also holds the record for the highest score by an Indian at the ground. As of February 2016, 32 Test centuries have been scored at the stadium. (Full article...)
The National Film Award for Best Actor in a Leading Role is an honour presented annually at the National Film Awards of India instituted since 1967 to actors who have delivered the best performance in a leading role within the Indian film industry. Called the "State Awards for Films" when established in 1954, the National Film Awards ceremony is older than the Directorate of Film Festivals. The State Awards instituted the individual award in 1968 as the "Bharat Award for the Best Actor"; in 1975, it was renamed as the "Rajat Kamal Award for the Best Actor". Throughout the past 45 years, accounting for ties and repeat winners, the Government of India has presented a total of 52 "Best Actor" awards to 40 actors. Until 1974, winners of the National Film Award received a figurine and certificate; since 1975, they have been awarded with a "Rajat Kamal" (silver lotus), certificate and a cash prize. Since the 70th National Film Awards, the name was changed to "National Film Award for Best Actor in a Leading Role".
Although the Indian film industry produces films in around 20 languages and dialects, the actors whose performances have won awards have worked in eight major languages: Hindi (twenty-five awards), Malayalam (fourteen awards), Tamil (nine awards), Bengali (five awards), Marathi, Kannada (four awards), English (two awards), and Telugu (one award). (Full article...)
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Kal Ho Naa Ho (transl.Tomorrow May Never Come) is a 2003 Indian Hindi-language romanticcomedy-drama film directed by Nikkhil Advani. The film stars Jaya Bachchan, Shah Rukh Khan, Saif Ali Khan and Preity Zinta. Sushma Seth, Reema Lagoo, Lillete Dubey and Delnaaz Irani play supporting roles. The film's story focuses on Naina Catherine Kapur (Preity Zinta), a MBA student who falls in love with Aman Mathur (Shah Rukh Khan). He does not reciprocate her feelings as he is a terminally ill heart patient, a fact he hides from Naina. Aman does not wish to bring Naina any pain through his illness, and tries to make her fall in love with her friend and fellow MBA classmate Rohit Patel (Saif Ali Khan). The film's dialogues were written by Niranjan Iyengar while Karan Johar drafted the story and screenplay. The latter also co-produced the film with his father, Yash Johar, under the Dharma Productions banner. The soundtrack for Kal Ho Naa Ho was composed by Shankar–Ehsaan–Loy while Javed Akhtar wrote the lyrics for its songs. Anil Mehta and Sanjay Sankla handled the cinematography and editing respectively. Sharmishta Roy was in charge of the production design.
Produced on a budget of ₹280 million, Kal Ho Naa Ho was released on 27 November 2003 and received positive reviews from critics. It was a commercial success, grossing ₹860.9 million worldwide. The film won 35 awards from 78 nominations; its direction, story, screenplay, performances of the cast members, music and cinematography have received the most attention from award groups. (Full article...)
Kazi Nazrul Islam (Bengali: কাজী নজরুল ইসলাম, pronounced[kad͡ʒiˈnod͡ʒɾulislam]ⓘ; 24 May 1899 – 29 August 1976) was a Bengali poet, short story writer, journalist, lyricist and musician. He is the national poet of Bangladesh. Nazrul produced a large body of poetry, music, messages, novels, and stories with themes, that included equality, justice, anti-imperialism, humanity, rebellion against oppression and religious devotion. Nazrul Islam's activism for political and social justice as well as writing a poem titled as "Bidrohī", meaning "the rebel" in Bengali, earned him the title of "Bidrohī Kôbi" (Rebel Poet). His compositions form the avant-garde music genre of Nazrul Gīti (Music of Nazrul).
Born into a Bengali MuslimKazi family hailing from Churulia in Burdwan district in Bengal Presidency (now in West Bengal, India), Nazrul Islam received religious education and as a young man worked as a muezzin at a local mosque. He learned about poetry, drama, and literature while working with the rural theatrical group Leṭor Dôl, Leṭo being a folk song genre of West Bengal usually performed by the people from Muslim community of the region. He joined the British Indian Army in 1917 and was posted in Karachi. Nazrul Islam established himself as a journalist in Calcutta after the war ended. He criticised the British Raj and called for revolution through his famous poetic works, such as "Bidrohī" ('The Rebel') and "Bhangar Gan" ('The Song of Destruction'), as well as in his publication Dhūmketu ('The Comet'). His nationalist activism in Indian independence movement led to his frequent imprisonment by the colonial British authorities. While in prison, Nazrul Islam wrote the "Rajbôndīr Jôbanbôndī" ('Deposition of a Political Prisoner'). His writings greatly inspired Bengalis of East Pakistan during the Bangladesh Liberation War. (Full article...)
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As of 2024[update], there have been two Formula One drivers from India. Indian Formula One drivers have had a race entry to 59 Grands Prix. Across these Grands Prix, Indian Formula One drivers have accumulated 5 points between them. No Indian driver has taken a race win, podium, fastest lap or pole position.
Defence of the Arrah House, 1857 (1858) by William Tayler
The siege of Arrah (27 July – 3 August 1857) took place during the Indian Mutiny (also known as the Indian Rebellion of 1857). It was the eight-day defence of a fortified outbuilding, occupied by a combination of 18 civilians and 50 members of the Bengal Military Police Battalion, against 2,500 to 3,000 mutinying Bengal Native Infantrysepoys from three regiments and an estimated 8,000 men from irregular forces commanded by Kunwar Singh, the local zamindar or chieftain who controlled the Jagdishpur estate.
An attempt to break the siege failed, with around 290 casualties out of around 415 men in the relief party. Shortly afterwards, a second relief effort consisting of 225 men and three artillery guns—carried out despite specific orders that it should not take place—dispersed the forces surrounding the building, suffering two casualties, and the besieged party escaped. Only one member of the besieged group was injured. (Full article...)
After the release of the commercially and critically successful romantic film Kaho Naa... Pyaar Hai (2000), Roshan wanted to work again with his son Hrithik on a different type of film. In June 2001, during the 2nd IIFA Awards, he announced the second film when he received the Best Director award for Kaho Naa... Pyaar Hai. Principal photography was shot by Ravi K. Chandran and Sameer Arya from November 2001 to March 2003 on sets built by Sharmishta Roy in Canada, India, and New Zealand. Roshan's brother, Rajesh Roshan, composed the film's soundtrack and background score. American artists Mark Clobe and Craig Mumma spent ₹4 crore (US$480,000) on its visual effects. (Full article...)
"Within You Without You" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Written by lead guitarist George Harrison, it was his second composition in the Indian classical style, after "Love You To", and inspired by his stay in India in late 1966 with his mentor and sitar teacher Ravi Shankar. Recorded in London without the other Beatles, it features Indian instrumentation such as sitar, tambura, dilruba and tabla, and was performed by Harrison and members of the Asian Music Circle. The recording marked a significant departure from the Beatles' previous work; musically, it evokes the Indian devotional tradition, while the overtly spiritual quality of the lyrics reflects Harrison's absorption in Hindu philosophy and the teachings of the Vedas.
The song was Harrison's only composition on Sgt. Pepper, although his endorsement of Indian culture was further reflected in the inclusion of yogis such as Paramahansa Yogananda among the crowd depicted on the album's cover. With the worldwide success of the album, "Within You Without You" presented Indian classical music to a new audience in the West and contributed to the genre's peak in international popularity. It also influenced the philosophical direction of many of Harrison's peers during an era of utopian idealism marked by the Summer of Love. The song has traditionally received a varied response from music critics, some of whom find it lacklustre and pretentious, while others admire its musical authenticity and consider its message to be the most meaningful on Sgt. Pepper. Writing for Rolling Stone, David Fricke described the track as "at once beautiful and severe, a magnetic sermon about materialism and communal responsibility in the middle of a record devoted to gentle Technicolor anarchy". (Full article...)
Aditya Mehta (born 31 October 1985 in Mumbai, India) is an Indian former professional snooker player. He participated on the World Snooker Tour for the 2007–08 season, and between 2011 and 2018. He reached a highest world ranking of 49. Mehta participated in the final of a ranking event for the first time at the 2013 Indian Open where he played Ding Junhui, but lost 0–5.
Missamma (transl. Miss madam) is a 1955 Indian Telugu-language romantic comedy film directed by L. V. Prasad. It was produced by Nagi Reddi and Chakrapani on Vijaya Productions banner. The film stars N. T. Rama Rao, Savitri, Akkineni Nageswara Rao and Jamuna. The script was adapted by Chakrapani from Rabindranath Maitra's Bengali play Manmoyee Girls' School. It revolves around two unemployed people — M. T. Rao and Mary — who pose as a married couple to obtain employment in a high school founded by Gopalam, a zamindar. As Rao and Mary fall in love, Gopalam's nephew A. K. Raju learns that Mary is Gopalam's missing elder daughter Mahalakshmi; she is unaware of her true identity.
Production began in early 1954 with P. Bhanumathi cast as the female lead, though she would eventually be replaced by Savitri. The film was simultaneously shot in Tamil as Missiamma, with an altered cast. Principal photography ended that December; filming was delayed because of Bhanumathi's exit after filming a few reels, and the difficulty of managing two casts simultaneously. C. P. Jambulingam and Kalyanam edited the film; Marcus Bartley was the cinematographer, and S. Rajeswara Rao composed the music. Missamma focused on social issues such as unemployment, corruption, and freedom of worship. (Full article...)
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Chariot of Murugan during Thaipusam festivities in Malaysia
The festival includes ritualistic practices of Kavadi Aattam, a ceremonial act of sacrifice carrying a physical burden as a means of balancing a spiritual debt. Worshipers often carry a pot of cow milk as an offering and also do mortification of the flesh by piercing the skin, tongue or cheeks with vel skewers. Devotees prepare for the rituals by keeping clean, doing regular prayers, following a vegetarian diet and fasting while remaining celibate. (Full article...)
The clouded leopard (Neofelis nebulosa), also called mainland clouded leopard, is a wild cat inhabiting dense forests from the foothills of the Himalayas through Northeast India and Bhutan to mainland Southeast Asia into South China. It was first described in 1821 on the basis of a skin of an individual from China. The clouded leopard has large dusky-grey blotches and irregular spots and stripes reminiscent of clouds. Its head-and-body length ranges from 68.6 to 108 cm (27.0 to 42.5 in) with a 61 to 91 cm (24 to 36 in) long tail. It uses its tail for balancing when moving in trees and is able to climb down vertical tree trunks head first. It rests in trees during the day and hunts by night on the forest floor.
The clouded leopard is the sister taxon to other pantherine cats, having genetically diverged 9.32 to 4.47 million years ago. Today, the clouded leopard is locally extinct in Singapore, Taiwan, and possibly also in Hainan Island and Vietnam. The wild population is believed to be in decline with fewer than 10,000 adults and no more than 1,000 in each subpopulation. It has therefore been listed as Vulnerable on the IUCN Red List since 2008. The population is threatened by large–scale deforestation and commercial poaching for the wildlife trade. Its body parts are offered for decoration and clothing, though it is legally protected in most range countries. (Full article...)
Sasanian-style coin of Peroz I Kushanshah, minted at Herat. Obverse: King with Pahlavi legend around. "The Mazda-worshipping lord Peroz the Great Kushan Shah". Reverse: Peroz standing at left, holding an investiture wreath, facing Anahita rising from her throne.
Geet Ramayan (Marathi: गीत रामायण, English: The Ramayana in Songs) is a collection of 56 Marathi language songs chronologically describing events from the IndianHindu epic, the Ramayana. It was broadcast by All India Radio, Pune in 1955–1956, four years before television was introduced in India. Written by G. D. Madgulkar and the songs being composed by Sudhir Phadke, Geet Ramayan was acclaimed for its lyrics, music and singing. It is considered a "milestone of Marathi light music" and the "most popular" Marathi version of Ramayana.
The team of Madgulkar and Phadke presented a new song every week for a year with every song being aired first on a Friday morning and then again on Saturday and Sunday morning, between 8:45 AM and 9:00 AM IST. The program's first song "Kuśa Lava Rāmāyaṇ Gātī" was aired on 1 April 1955. Though Geet Ramayan is based on sage Valmiki's epic Ramayana, Madgulkar chose a different narrative format and was praised for the lyrics, and was called Ādhunik Valmiki (the modern Valmiki). The Geet Ramayan is considered as "the crescendo of Madgulkar's literary vigour". Phadke mainly used ragas of Hindustani classical music to compose the songs. He also selected the raga and the Tāla of a song to suit the time of the incident and the narrative mood. The poet and composer were praised for their contribution to the series. (Full article...)
Erode Venkatappa Ramasamy (17 September 1879 – 24 December 1973), revered by his followers as Periyar or Thanthai Periyar, was an Indian social activist and politician who started the Self-Respect Movement and Dravidar Kazhagam. He is known as the 'Father of the Dravidian movement'. He rebelled against Brahmin dominance and gender and caste inequality in Tamil Nadu. Since 2021, the Indian state of Tamil Nadu celebrates his birth anniversary as 'Social Justice Day'.
Ramasamy joined the Indian National Congress in 1919. In 1924, Ramasamy participated in non-violent agitation (satyagraha) involving Mahatma Gandhi in Vaikom, Travancore. He resigned from the Congress in 1925 when he felt that the party was only serving the interests of Brahmins. He questioned what he felt was the subjugation of non-Brahmin Dravidians as Brahmins enjoyed gifts and donations from non-Brahmins but opposed and discriminated against non-Brahmins in cultural and religious matters. He declared his stance to be "no god, no religion, no Gandhi, no Congress, and no Brahmins". (Full article...)
Mandodari (Sanskrit: मंदोदरी, Mandodarī, lit. "soft-bellied";) was the queen consort of Ravana, the king of Lanka, according to the Hindu epic Ramayana. The Ramayana describes her as beautiful, pious, and righteous. She is extolled as one of the Panchakanya, the recital of whose names is believed to dispel sin.
Mandodari was the daughter of Mayasura, the King of the Asuras (demons), and the apsara (celestial nymphs) Hema. She marries Ravana and bears three sons: Meghanada (Indrajit), Atikaya and Akshayakumara. According to some Ramayana adaptations, Mandodari is also the mother of Rama's wife Sita, who is infamously kidnapped by Ravana. Despite her husband's faults, Mandodari loves him and advises him to follow the path of righteousness. She repeatedly advises Ravana to return Sita to Rama, but her advice falls on deaf ears. Her love and loyalty to Rāvana are praised in the Rāmāyana. (Full article...)
Rahul (Pāli) or Rāhula (Sanskrit; born c. 534 BCE or 451 BCE) was the only son of Siddhārtha Gautama, commonly known as the Buddha, and his wife, princess Yaśodharā. He is mentioned in numerous Buddhist texts, from the early period onward. Accounts about Rāhula indicate a mutual impact between Prince Siddhārtha's life and the lives of his family members. According to the Pāli tradition, Rāhula was born on the day of Prince Siddhārtha's renunciation, and was therefore named Rāhula, meaning a fetter on the path to enlightenment. According to the Mūlasarvāstivāda tradition, and numerous other later sources, however, Rāhula was only conceived on the day of Prince Siddhartha's renunciation, and was born six years later, when Prince Siddhārtha became enlightened as the Buddha. This long gestation period was explained by bad karma from previous lives of both Yaśodharā and of Rāhula himself, although more naturalistic reasons are also given. As a result of the late birth, Yaśodharā needed to prove that Rāhula was really Prince Siddhārtha's son, which she eventually did successfully by an act of truth. Historian H.W. Schumann has argued that Prince Siddhārtha conceived Rāhula and waited for his birth, to be able to leave the palace with the king and queen's permission, but Orientalist Noël Péri considered it more likely that Rāhula was born after Prince Siddhārtha left his palace.
12 years after Rahula's birth, the Buddha returned to his hometown, where Yaśodharā had Rāhula ask the Buddha for the throne of the Śākya clan. The Buddha responded by having Rāhula ordained as the first Buddhist novice monk. He taught the young novice about truth, self-reflection, and not-self, eventually leading to Rāhula's enlightenment. Although early accounts state that Rāhula died before the Buddha did, later tradition has it that Rāhula was one of the disciples that outlived the Buddha, guarding the Buddha's Dispensation until the rising of the next Buddha. Rāhula is known in Buddhist texts for his eagerness for learning, and was honored by novice monks and nuns throughout Buddhist history. His accounts have led to a perspective in Buddhism of seeing children as hindrances to the spiritual life on the one hand, and as people with potential for enlightenment on the other hand. (Full article...)
Location of the Khaljis of Bengal and neighbouring South Asian polities, circa 1230 CE.
The Khalji dynasty (Bengali: খলজি রাজবংশ, Persian: خاندان خلجی) was the first Muslim dynasty to rule the Bengal region in the Indian subcontinent. The dynasty, which hailed from the Garmsir region of present-day Afghanistan, was founded in 1204 by Muhammad Bakhtiyar Khalji, a Muslim Turko-Afghan general of the Ghurid Empire. The Khaljis initially pledged allegiance to Sultan Muhammad of Ghor until his death in 1206, though their rule in Bengal was mostly independent. Under the rule of Iwaz Khalji, Bengal experienced major developments such as its first naval force, flood defence systems and linkage with the Grand Trunk Road. The dynasty was based in the city of Lakhnauti in northern Bengal, later expanding eastwards and southwards. Nasiruddin Mahmud, the son of Mamluk sultanIltutmish of Delhi managed to conquer Bengal in 1227; although the Khaljis briefly reasserted their independence, they surrendered to the Mamluks in 1231, who replaced them with a series of regional governors. (Full article...)
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Memorial to the Imperial Service Cavalry Brigade, at Teen Murti Haifa Chowk in New Delhi.
In October 1914, the Imperial Service Cavalry Brigade was moved by sea to Egypt to become part of the Force in Egypt defending the Suez Canal. In the first three years of the war, the soldiers were involved in several small-scale battles connected to the Raid on the Suez Canal, but spent most of their time patrolling in the Sinai Desert and along the west bank of the canal. It was not until November 1917 as part of the Egyptian Expeditionary Force that the Imperial Service Cavalry Brigade was involved in the Third Battle of Gaza. The following year the brigade joined the 5th Cavalry Division when it became the 15th (Imperial Service) Cavalry Brigade and played an active role in the British victory over Turkish forces in Palestine. (Full article...)
The product traces its origins to the Swadeshi movement prevalent in India in the 1920s. First produced in 1929 by Gour Mohan Dutta, the product gained popularity since it was one of the first antiseptic creams to be made in India. Dutta strategically marketed Boroline as a reflection of Bengali culture, tapping into nationalistic sentiments. The packaging of the cream in green tubes featuring an elephant logo allowed it to be easily identified by consumers, especially those in rural areas. Post-independence, the company faced competition but adapted through branding and marketing efforts, including event sponsorship. Despite challenges such as production halts, Boroline is still in circulation as of 2024[update], and the brand accounted for over 60% of the parent company's revenue in 2016. It maintains a significant presence in Bengali culture and is known to evoke a sense of nostalgia amongst members of the community. (Full article...)
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The University of Calcutta, informally known as Calcutta University (CU), is a publicstate university located in Kolkata, West Bengal, India. It has 151 affiliated undergraduate colleges and 16 institutes in Kolkata and nearby areas. It was established on 24 January 1857 and is the oldest multidisciplinary university of Indian Subcontinent and Southeast Asian Region. Today, the university's jurisdiction is limited to a few districts of West Bengal, but at the time of its establishment it had a catchment area ranging from Kabul to Myanmar. It is accredited as an "A" grade university by the National Assessment and Accreditation Council (NAAC).
The university has a total of fourteen campuses spread over the city of Kolkata and its suburbs. As of 2020, 151 colleges and 21 institutes and centres are affiliated with CU. The university was fourth in the Indian University Ranking 2021 list, released by the National Institutional Ranking Framework of the Ministry of Education. (Full article...)
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Manam (transl.Us) is a 2014 Indian Telugu-language fantasy drama film written and directed by Vikram Kumar, and produced by the Akkineni Family under the Annapurna Studios banner. The film stars Akkineni Nageswara Rao, Nagarjuna, Naga Chaitanya, Samantha Ruth Prabhu and Shriya Saran. The film is set in various time periods, over the course of a hundred years up until 2013, and deals with the concepts of rebirth and eternal love. The plot features a wealthy businessman, Nageswara Rao (Nagarjuna), attempting to bring a young couple together resembling his deceased parents and the elderly Chaitanya's (Nageswara Rao) attempts to bring the businessman and a doctor together. They resemble Chaitanya's deceased parents, who died because of a mistake committed by him in his childhood.
India participated at the 2018 Winter Olympics in Pyeongchang, South Korea, held between 9 and 25 February 2018. The country's participation in Pyeongchang marked its tenth appearance at the Winter Olympics since its debut in 1964.
Eleven people are killed, 45 others are injured and 37 vehicles are destroyed after an LPGtank truck catches fire and explodes after a speeding truck crashed into it in Jaipur, India. (The Statesman)
... that Robert Nimmo's command of the UN Military Observer Group in India and Pakistan remains the longest ever command of a United Nations operation?
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The mosque at the Taj Mahal complex in Agra, India. This red sandstone building, on the western side of the complex, faces the west side of the mausoleum. In the forefront is a howz, meant for ablution. On the eastern side of the complex is the jawab ("answer"), a mirror image of the mosque except for the missing mihrab and different floor pattern; this jawab was mainly intended for architectural balance. Both were constructed in 1643.
Photograph: Muhammad Mahdi KarimAlstroemeria × hybrida, an Alstroemeria hybrid, at the Lal Bagh Botanical Gardens in Bangalore, India. The genus consists of some 120 species and is native to South America.
Photograph: JkadavoorCupha erymanthis is a species of brush-footed butterfly found in forested areas of tropical South and Southeast Asia which may feed on liquids from carrion. This specimen was photographed in Kadavoor, Kerala, India.
Photograph: Muhammad Mahdi KarimAn Indian palm squirrel (Funambulus palmarum) photographed in Bangalore, India. In India these squirrels are associated with the Hindu deity Rama, an avatar of Vishnu, and as such are not to be harmed. However, in Western Australia they are considered pests and at times targeted for eradication.
Photo: YannWomen of the Gondi, the largest tribe of Indian aboriginals in central India. They are classified as a Scheduled Tribe in most Indian states. The Gondi language is related to Telugu and other Dravidian languages. About half of Gonds speak Gondi languages, while the rest speak Indo-Aryan languages including Hindi. For many years during the British colonial period, the Gonds were considered to have performed human sacrifices, although this notion was later discredited.
Photograph: Muhammad Mahdi KarimA panoramic view of Bangalore from Corporation Circle, with UB City to the left and Richmond area to the right. Kanteerava Indoor Stadium is in the foreground. The third largest city in India, the city is known as the Silicon Valley of India for its numerous IT exports.
Photo: Augustus BinuRekha Raju performing Mohiniyattam, a classical dance form from Kerala, India. Believed to have originated in the 16th century CE, this dance form was popularized in the nineteenth century by Swathi Thirunal, the Maharaja of the state of Travancore, and Vadivelu, one of the Thanjavur Quartet. The dance, which has about 40 different movements, involves the swaying of broad hips and the gentle side-to-side movements.
Photograph credit: Charles J. SharpThe nilgai or blue bull (Boselaphus tragocamelus) is the largest Asian antelope and is endemic to the Indian subcontinent. The sole member of the genus Boselaphus, the species was described and given its binomial name by German zoologist Peter Simon Pallas in 1766. The nilgai stands 1–1.5 metres (3.3–4.9 ft) at the shoulder; males weigh 109–288 kilograms (240–635 lb), and the lighter females 100–213 kilograms (220–470 lb). A sturdy thin-legged antelope, the nilgai is characterised by a sloping back, a deep neck with a white patch on the throat, a short crest of hair along the neck terminating in a tuft, and white facial spots. A column of pendant coarse hair hangs from the dewlap ridge below the white patch. Sexual dimorphism is prominent – while females and juveniles are orange to tawny, adult males have a bluish-grey coat. Only males possess horns, which are 15–24 centimetres (5.9–9.4 in) in length.
Photograph: Yann; edit: Jim CarterA view of the Taj Mahal from the south, featuring the Charbagh garden. The mausoleum complex also includes subsidiary tombs, waterworks infrastructure, the small town of Taj Ganji, and a "moonlight garden". Its origins and architecture have been extensively documented, covering both the circumstances of its commission and the cultural and historical influence of the Islamic Mughal Empire in India.
A statue of the Hindu god Shiva as Nataraja, the Lord of Dance. In this form, Shiva performs his divine dance to destroy a weary universe and make preparations for the god Brahma to start the process of creation. A Telugu and Tamil concept, Shiva was first depicted as Nataraja in the famous Chola bronzes and sculptures of Chidambaram. The form is present in most Shiva temples in South India, and is the main deity in Chidambaram Temple, the foremost Shaivist temple.
Photograph credit: Charles J. SharpThe southern plains gray langur (Semnopithecus dussumieri) is a species of Old World monkey native to the Indian subcontinent. It is about 62 cm (24 in) tall and lives in groups in various forest habitats, feeding mainly on leaves, fruit and flowers in the canopy, supplementing these with insects, gum, grasses, herbs and roots. The monkeys are considered sacred in India, and some are used by Hindu priests for religious purposes. They have adapted to living in close proximity to humans in urban settings; they are often fed by humans and accept cakes, millet, and other foods. The species is protected by law in India, but some are still persecuted for damaging crops, hunted for food and captured for pets.
Photo: Muhammad Mahdi KarimThe glass house at Lal Bagh, a botanical garden in Bangalore, India. The garden was commissioned by the ruler of Mysore, Hyder Ali in 1760, and completed during the reign of his son Tipu Sultan. The glass house was modeled on London's Crystal Palace and constructed at the end of the 19th century.
Photograph credit: Jeevan JoseLeptosia nina, known as the psyche, is a species of butterfly in the family Pieridae (the sulphurs, yellows and whites), found in the Indian subcontinent, southeastern Asia, and Australia. It has a small wingspan of 2.5 to 5 cm (1 to 2 in). The upper side of the otherwise white forewing has a large, somewhat pear-shaped, black spot; this spot is also present on the underside which is scattered with greenish dots and speckles, sometimes arranged in bands. This L. nina butterfly was photographed in Kerala, India.
Photograph: Arthur Chapman; edit: Papa Lima Whiskey and Ryan KaldariBrahmaea wallichii, also known as the owl moth, is a moth from the family Brahmaeidae. With a wingspan of about 90–160 mm (3.5–6.3 in), it is one of the largest species of Brahmin moth. This nocturnal species is found in India, Bhutan, Myanmar, China, Taiwan and Japan.
Map credit: PlaneMadA map of Network of National Highways in India, including NHDP projects up to phase IIIB, which is due to be completed by December 2012. The National Highways are the main long-distance roadways and constitute a total of about 58,000 km (36,250 mi), of which 4,885 km (3,053 mi) are central-separated expressways. Highways in India are around 2% of the total road network in India, but carry nearly 40% of the total road traffic.
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